Lina Maria Sommer

Studio   02/25

 

untitled (reed, rose, shore), 2025, aquarelle on paper, 114 x 94 cm

untitled (rose, root, mountain), 2025, aquarelle on paper, 114 x 82 cm

 

Drawing as Metaphor             Fuse, Zurich, 2024   

     

Etappe 21 I, layered, (7, 8a, 8b), (2, 4, 21), (16, 17, 18), (3, 5, 11) and (13, 14, 15), each 40×30 cm

 

Groupshow with Tatjana Blaser, Gritli Faulhaber, Hannah Parr, Shervin/e Sheikh Rezaei, Lina Maria Sommer, Jessica Tille and Anastasia Vaynberg, curated by Johanna Roth​  info

untitled (riverbed)­­­­  Auto, Visarte Ost, St. Gallen, CH, 2024

 

plexiglass, china ink, 2×5 m

as part of the duoshow Widerschein with Willi Keller  info

 

Fotos: Ueli Steingruber

 

Etappe 21  Galerie Adrian Bleisch, CH, 2023

 

Soloshow with large format aquarelles from 2019, along two drawing series named Etappe 21 I + II, each containing 21 consecutive sheets and 120 roof top tiles arranged in spirals.

Fotos: Sara Spirig

Z-B-A  Material, Zurich, CH, 2023

 

Z-B-A is the title of the exhibition, as well as of the print-edition, presented in the space and available for sale. 

Summer Solstice Ritual  Pančevo-Bridge, Belgrade, RS, 2022

Site specific installation of six flower-arrangements underneath the Pančevo-Bridge by the Danube.

0-1-2  Atelje Beograd, Belgrade, RS, 2022

0-1-2 showed sculptural works out of collected and ritually proceeded materials like flowers, branches, beeswax, needles and yarns. 

 

Fotos: Lina Sommer

 

Etappe 21    II

 

Paper, color pencil, each 14.85 x 21 cm, 2023

Etappe 21

 

Paper, color pencil, sweat, double page each 25.5×21 cm, 2021
– Drawing series of 21 consecutive double-page spreads


Traum (blau-weiss)

Paper, ink, dream, double page each 17.5×14 cm, 2021 – Drawing series based on a dream. It contains a quotation from Lou Andreas-Salomé, who described love as transformed into all things and as the transformer of all things. 


A–B–Z  Galerie Bleisch, Arbon, CH, 2021

 

Works on display: Cards: Soft pastel board, ash & charcoal of Dianthus, Chrysanthemum Santini, Astrantia, Myosotis, breath, each 24×32 cm, 2021 – Drawings with ritually carbonized medicinal plants Paintings*: C3P3, paper, aquarelle, 260×160 cm, framed, 2019 – C5P1*, paper, aquarelle, 310×160 cm, framed, 2019 – C2P2, paper, aquarelle, ink, 310×160 cm, framed, 2019 – C10P1, paper, aquarelle, 160×310 cm, framed, 2020 Installations: Systematically placed medicinal plants, Dianthus, Chrysanthemum Santini, Astrantia, Myosotis, carbonized, size variable, 2021 – Loose rose geranium leaves, dried, size variable, 2021 – Rose petals, baked, size variable, 2021        

*Note about the Titles: C stands for Cycle, P stands for Part. One Cycle is one roll of Aquarelle-paper, which consists of either 3 or 4 Parts, depending on the size of painting.

Fotos: Jonathan Labusch



Jungkunst  Katharina Sulzer Halle, 2020

 

C10P1, paper, aquarelle, 160×310 cm, framed, 2020; C10P2, paper, aquarelle, 260×160 cm, framed, 2020; C5P1, paper, aquarelle, 310×160 cm, framed, 2019; C2P2, paper, aquarelle, ink, 310×160 cm, framed, 2019; C3P3, paper, aquarelle, 260×160 cm, framed, 2019


Fotos: Jonathan Labusch, Lina Sommer

 

2–1–0  Mélange, Köln, de, 2020

 

C9P1, paper, aquarelle, ink, 150×250 cm, 2019; C8P2, C8P3, & C9P2 overlapping, paper, aquarelle, ink, each 150×250 cm, 2019


Fotos: Jonas Schenk

 

Auflage 5000  Kunsthaus Langenthal, ch, 2019

 

Paintings vertical: C1P1, C1P2 and C1P3, paper, aquarelle, each 150×300 cm, 2019 Paintings horizontal: top: C4P3 and C4P2, bottom: C5P2 u. C5P3, paper, aquarelle, each 300×150 cm, 2019. Sculptures by Jan Lars Weber.   


Fotos: Judith Kakon

 

Studio 02/25

 

untitled (reed, rose, shore), 2025, aquarelle on paper, 114 x 94 cm

untitled (rose, root, mountain), 2025, aquarelle on paper, 114 x 82 cm

 

 

Drawing as Metaphor  Fuse, Zurich, CH, 2024

 

Etappe 21 I, layered, (7, 8a, 8b), (2, 4, 21), (16, 17, 18), (3, 5, 11) and (13, 14, 15), each 40×30 cm

 

Groupshow with Tatjana Blaser, Gritli Faulhaber, Hannah Parr, Shervin/e Sheikh Rezaei, Lina Sommer, Jessica Tille and Anastasia Vaynberg, curated by Johanna Roth  info

 

Widerschein  Auto, Visarte Ost, St. Gallen, CH, 2024

 

untitled (riverbed) plexiglass, china ink, 2×5 m

as part of the duoshow Widerschein with Willi Keller  info

 

Fotos: Ueli Steingruber

Etappe 21   2023 Galerie Bleisch, CH

 

Soloshow with large format aquarelles from 2019, along two drawing series named Etappe 21 I + II, each containing 21 consecutive sheets and 120 roof top tiles arranged in spirals.

 

Fotos: Sara Spirig

    

Z-B-A  Material, Zurich, CH, 2023

 

Z-B-A is the title of the exhibition, as well as of the print-edition, presented in the space and available for sale. 

Summer Solstice Ritual
Pančevo-Bridge, Belgrade, RS, 2022

Site specific installation of six flower-arrangements underneath the Pančevo-Bridge by the Danube.

0-1-2  Atelje Beograd, Belgrade, RS, 2022

0-1-2 showed sculptural works out of collected and ritually proceeded materials like flowers, branches, beeswax, needles and yarns. 

 

Etappe 21    II

 

Paper, color pencil, each 14.85 x 21 cm, 2023

 

Etappe 21

 

Paper, color pencil, sweat,
double page each 25.5×21 cm, 2021
– Drawing series of 21 consecutive double-page spreads

Traum (blau-weiss)

Paper, ink, dream, double page each 17.5×14 cm, 2021 – Drawing series based on a dream. It contains a quotation from Lou Andreas-Salomé, who described love as transformed into all things and as the transformer of all things. 

A–B–Z  Galerie Bleisch, Arbon, CH, 2021

 

Works on display: Cards: Soft pastel board, ash & charcoal of Dianthus, Chrysanthemum Santini, Astrantia, Myosotis, breath, each 24×32 cm, 2021 – Drawings with ritually carbonized medicinal plants Paintings*: C3P3, paper, aquarelle, 260×160 cm, framed, 2019 – C5P1*, paper, aquarelle, 310×160 cm, framed, 2019 – C2P2, paper, aquarelle, ink, 310×160 cm, framed, 2019 – C10P1, paper, aquarelle, 160×310 cm, framed, 2020 

Installations: Systematically placed medicinal plants, Dianthus, Chrysanthemum Santini, Astrantia, Myosotis, carbonized, size variable, 2021 – Loose rose geranium leaves, dried, size variable, 2021 – Rose petals, baked, size variable, 2021      


*Note about the Titles: C stands for Cycle, P stands for Part. One Cycle is one roll of Aquarelle-paper, which consists of either 3 or 4 Parts, depending on the size of painting.

Fotos: Jonathan Labusch

 

Jungkunst  Katharina Sulzer Halle, 2020

 

C10P1, paper, aquarelle, 160×310 cm, framed, 2020; C10P2, paper, aquarelle, 260×160 cm, framed, 2020; C5P1, paper, aquarelle, 310×160 cm, framed, 2019; C2P2, paper, aquarelle, ink, 310×160 cm, framed, 2019; C3P3, paper, aquarelle, 260×160 cm, framed, 2019


Fotos: Jonathan Labusch, Lina Sommer

 

2–1–0  Mélange, Köln, de, 2020

 

C9P1, paper, aquarelle, ink, 150×250 cm, 2019; C8P2, C8P3, & C9P2 overlapping, paper, aquarelle, ink, each 150×250 cm, 2019


Fotos: Jonas Schenk

 

Auflage 5000  Kunsthaus Langenthal, ch, 2019

 

Paintings vertical: C1P1, C1P2 and C1P3, paper, aquarelle, each 150×300 cm, 2019 Paintings horizontal: top: C4P3 and C4P2, bottom: C5P2 u. C5P3, paper, aquarelle, each 300×150 cm, 2019. Sculptures by Jan Lars Weber.   


Fotos: Judith Kakon