Lina Maria Sommer

 

Anniversary show   Galerie Adrian Bleisch, Arbon, CH, 2024

 

untitled (soil, air, night to day), 2024, paper, aquarelle, 110×180 cm

Groupshow with Marie-Theres Amici, Fredi Bissegger, Charles Boetschi, Matthias Bosshart, Max Bottini, Eugen Bollin, David Bürkler, Bignia Corradini, Roland Dostal, Markus Dulk, Daniel Gallmann, Co Gründler, Guido Hauser, Sarah Hugentobler, Cécile Hummel, Roland Iselin, Jan Kaeser, Ute Klein, Rachel Lumsden, Valentin Magaro, Paul Louis Meier, Franziska Messner-Rast, Rahel Müller, Sep Müller, Lina Maria Sommer, Adriana Stadler, Conrad Steiner, Andrea Vogel, Guido von Stürler and Cécile Wick

Drawing as Metaphor             Fuse, Zurich, 2024   

     

Etappe 21 I, layered, (7, 8a, 8b), (2, 4, 21), (16, 17, 18), (3, 5, 11) and (13, 14, 15), each 40×30 cm

 

Groupshow with Tatjana Blaser, Gritli Faulhaber, Hannah Parr, Shervin/e Sheikh Rezaei, Lina Maria Sommer, Jessica Tille and Anastasia Vaynberg, curated by Johanna Roth​  info

untitled (riverbed)­­­­  Auto, Visarte Ost, St. Gallen, CH, 2024

 

plexiglass, china ink, 2×5 m

as part of the duoshow Widerschein with Willi Keller  info

 

Fotos: Ueli Steingruber

 

Etappe 21  Galerie Adrian Bleisch, CH, 2023

 

Soloshow with large format aquarelles from 2019, along two drawing series named Etappe 21 I + II, each containing 21 consecutive sheets and 120 roof top tiles arranged in spirals.

Fotos: Sara Spirig

Z-B-A  Material, Zurich, CH, 2023

 

Z-B-A is the title of the exhibition, as well as of the print-edition, presented in the space and available for sale. 

Summer Solstice Ritual  Pančevo-Bridge, Belgrade, RS, 2022

Site specific installation of six flower-arrangements underneath the Pančevo-Bridge by the Danube.

0-1-2  Atelje Beograd, Belgrade, RS, 2022

0-1-2 showed sculptural works out of collected and ritually proceeded materials like flowers, branches, beeswax, needles and yarns. 

 

Fotos: Lina Sommer

 

Etappe 21    II

 

Paper, color pencil, each 14.85 x 21 cm, 2023

Etappe 21

 

Paper, color pencil, sweat, double page each 25.5×21 cm, 2021
– Drawing series of 21 consecutive double-page spreads


Traum (blau-weiss)

Paper, ink, dream, double page each 17.5×14 cm, 2021 – Drawing series based on a dream. It contains a quotation from Lou Andreas-Salomé, who described love as transformed into all things and as the transformer of all things. 


A–B–Z  Galerie Bleisch, Arbon, CH, 2021

 

Works on display: Cards: Soft pastel board, ash & charcoal of Dianthus, Chrysanthemum Santini, Astrantia, Myosotis, breath, each 24×32 cm, 2021 – Drawings with ritually carbonized medicinal plants Paintings*: C3P3, paper, aquarelle, 260×160 cm, framed, 2019 – C5P1*, paper, aquarelle, 310×160 cm, framed, 2019 – C2P2, paper, aquarelle, ink, 310×160 cm, framed, 2019 – C10P1, paper, aquarelle, 160×310 cm, framed, 2020 Installations: Systematically placed medicinal plants, Dianthus, Chrysanthemum Santini, Astrantia, Myosotis, carbonized, size variable, 2021 – Loose rose geranium leaves, dried, size variable, 2021 – Rose petals, baked, size variable, 2021        

*Note about the Titles: C stands for Cycle, P stands for Part. One Cycle is one roll of Aquarelle-paper, which consists of either 3 or 4 Parts, depending on the size of painting.

Fotos: Jonathan Labusch



Jungkunst  Katharina Sulzer Halle, 2020

 

C10P1, paper, aquarelle, 160×310 cm, framed, 2020; C10P2, paper, aquarelle, 260×160 cm, framed, 2020; C5P1, paper, aquarelle, 310×160 cm, framed, 2019; C2P2, paper, aquarelle, ink, 310×160 cm, framed, 2019; C3P3, paper, aquarelle, 260×160 cm, framed, 2019


Fotos: Jonathan Labusch, Lina Sommer

 

2–1–0  Mélange, Köln, de, 2020

 

C9P1, paper, aquarelle, ink, 150×250 cm, 2019; C8P2, C8P3, & C9P2 overlapping, paper, aquarelle, ink, each 150×250 cm, 2019


Fotos: Jonas Schenk

 

Auflage 5000  Kunsthaus Langenthal, ch, 2019

 

Paintings vertical: C1P1, C1P2 and C1P3, paper, aquarelle, each 150×300 cm, 2019 Paintings horizontal: top: C4P3 and C4P2, bottom: C5P2 u. C5P3, paper, aquarelle, each 300×150 cm, 2019. Sculptures by Jan Lars Weber.   


Fotos: Judith Kakon

 

Anniversary show  Galerie Adrian Bleisch, Arbon, CH, 2024

 

untitled (soil, air, night to day), paper, aquarelle, 110×180 cm

Groupshow with Marie-Theres Amici, Fredi Bissegger, Charles Boetschi, Matthias Bosshart, Max Bottini, Eugen Bollin, David Bürkler, Bignia Corradini, Roland Dostal, Markus Dulk, Daniel Gallmann, Co Gründler, Guido Hauser, Sarah Hugentobler, Cécile Hummel, Roland Iselin, Jan Kaeser, Ute Klein, Rachel Lumsden, Valentin Magaro, Paul Louis Meier, Franziska Messner-Rast, Rahel Müller, Sep Müller, Lina Maria Sommer, Adriana Stadler, Conrad Steiner, Andrea Vogel, Guido von Stürler and Cécile Wick

Drawing as Metaphor  Fuse, Zurich, CH, 2024

 

Etappe 21 I, layered, (7, 8a, 8b), (2, 4, 21), (16, 17, 18), (3, 5, 11) and (13, 14, 15), each 40×30 cm

 

Groupshow with Tatjana Blaser, Gritli Faulhaber, Hannah Parr, Shervin/e Sheikh Rezaei, Lina Sommer, Jessica Tille and Anastasia Vaynberg, curated by Johanna Roth  info

 

Widerschein  Auto, Visarte Ost, St. Gallen, CH, 2024

 

untitled (riverbed) plexiglass, china ink, 2×5 m

as part of the duoshow Widerschein with Willi Keller  info

 

Fotos: Ueli Steingruber

Etappe 21   2023 Galerie Bleisch, CH

 

Soloshow with large format aquarelles from 2019, along two drawing series named Etappe 21 I + II, each containing 21 consecutive sheets and 120 roof top tiles arranged in spirals.

 

Fotos: Sara Spirig

    

Z-B-A  Material, Zurich, CH, 2023

 

Z-B-A is the title of the exhibition, as well as of the print-edition, presented in the space and available for sale. 

Summer Solstice Ritual
Pančevo-Bridge, Belgrade, RS, 2022

Site specific installation of six flower-arrangements underneath the Pančevo-Bridge by the Danube.

0-1-2  Atelje Beograd, Belgrade, RS, 2022

0-1-2 showed sculptural works out of collected and ritually proceeded materials like flowers, branches, beeswax, needles and yarns. 

 

Etappe 21    II

 

Paper, color pencil, each 14.85 x 21 cm, 2023

 

Etappe 21

 

Paper, color pencil, sweat,
double page each 25.5×21 cm, 2021
– Drawing series of 21 consecutive double-page spreads

Traum (blau-weiss)

Paper, ink, dream, double page each 17.5×14 cm, 2021 – Drawing series based on a dream. It contains a quotation from Lou Andreas-Salomé, who described love as transformed into all things and as the transformer of all things. 

A–B–Z  Galerie Bleisch, Arbon, CH, 2021

 

Works on display: Cards: Soft pastel board, ash & charcoal of Dianthus, Chrysanthemum Santini, Astrantia, Myosotis, breath, each 24×32 cm, 2021 – Drawings with ritually carbonized medicinal plants Paintings*: C3P3, paper, aquarelle, 260×160 cm, framed, 2019 – C5P1*, paper, aquarelle, 310×160 cm, framed, 2019 – C2P2, paper, aquarelle, ink, 310×160 cm, framed, 2019 – C10P1, paper, aquarelle, 160×310 cm, framed, 2020 

Installations: Systematically placed medicinal plants, Dianthus, Chrysanthemum Santini, Astrantia, Myosotis, carbonized, size variable, 2021 – Loose rose geranium leaves, dried, size variable, 2021 – Rose petals, baked, size variable, 2021      


*Note about the Titles: C stands for Cycle, P stands for Part. One Cycle is one roll of Aquarelle-paper, which consists of either 3 or 4 Parts, depending on the size of painting.

Fotos: Jonathan Labusch

 

Jungkunst  Katharina Sulzer Halle, 2020

 

C10P1, paper, aquarelle, 160×310 cm, framed, 2020; C10P2, paper, aquarelle, 260×160 cm, framed, 2020; C5P1, paper, aquarelle, 310×160 cm, framed, 2019; C2P2, paper, aquarelle, ink, 310×160 cm, framed, 2019; C3P3, paper, aquarelle, 260×160 cm, framed, 2019


Fotos: Jonathan Labusch, Lina Sommer

 

2–1–0  Mélange, Köln, de, 2020

 

C9P1, paper, aquarelle, ink, 150×250 cm, 2019; C8P2, C8P3, & C9P2 overlapping, paper, aquarelle, ink, each 150×250 cm, 2019


Fotos: Jonas Schenk

 

Auflage 5000  Kunsthaus Langenthal, ch, 2019

 

Paintings vertical: C1P1, C1P2 and C1P3, paper, aquarelle, each 150×300 cm, 2019 Paintings horizontal: top: C4P3 and C4P2, bottom: C5P2 u. C5P3, paper, aquarelle, each 300×150 cm, 2019. Sculptures by Jan Lars Weber.   


Fotos: Judith Kakon